Oil On Canvas, Real Flavor of Old Masters

All Paul Brill 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
31018  
Chasse au cerf, Paul Brill
  		 Chasse au cerf   mk70 Toile H.1.05 L.1.37 Paris,Musee du Louvre
28452  
Mountain Landscape, Paul Brill
  		 Mountain Landscape   mk60 1626 Oil on canvas 29 1/2x40 1/2"
31017  
Paysage aux pecheurs, Paul Brill
  		 Paysage aux pecheurs   mk70 Toile. H.0.46L.0.71 Paris,Musee du Louvre
31016  
Paysage avec les pelerinsde'Emmaus, Paul Brill
  		 Paysage avec les pelerinsde'Emmaus   mk70 Toile H.0.95 L.1.42 Paris,Musee du LOUVRE
31013  
Paysage avec Saint Jean-Baptiste, Paul Brill
  		 Paysage avec Saint Jean-Baptiste   mk70 Toile H.0.70 L.0.70 Paris,Ministere des Finances
29010  
Seascape, Paul Brill
  		 Seascape   mk65 Oil on canvas 33 7/8x45 11/16in Uffizi,
29009  
The Stag Hunt, Paul Brill
  		 The Stag Hunt   mk65 Oil on copper 8 1/4x11in Pitti
Paul Brill
Flemish painter , 1554-Rome 1626 were brothers, both born in Antwerp, who were landscape painters who worked in Rome after earning papal favor. They are also described as painters of capricci (whims or fancies) or vedute ideate or veduta di fantasia, with typical rustic hills with a few ruins. Mattheus began work on several frescoes in Rome from 1570 onwards, and his work includes the Vatican's Seasons. Mattheus died young, and his brother continued his work around 1574. Paul, a student of Damiaen Oertelmans, painted frescoes such as the landscapes in the Casino Rospigliosi (Rome), and The Roman Forum, which showed this site for what it had become: a slum for squatters and pasture for livestock (so much so that the place was nicknamed Campo Vaccino, or "The Cowfield"). His masterpiece may be a fresco in the Clementine Hall of the Vatican. Paul also did engravings and small cabinet paintings on copper, some of which are signed with a pair of spectacles (a pun on the French word brilles, "spectacles"). Some of these were collaborations with Johann Rottenhammer, who according to a dealer's letter of 1617 painted the figures in Venice and then sent the plates to Rome for Bril to complete the landscape. He collaborated with his friend Adam Elsheimer, who he both influenced and was influenced by, on one painting.



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